'Murder 2', desperately dark film

Film: "Murder 2"; Starring: Emraan Hashmi, Prashant Narayanan, Jacqueline Fernandez, Sulagna Panigrahi; Directed by: Mohit Suri; Rating: ***
The sequel to "Murder" is nothing like the first part of the frenetic franchise. And Jacqueline Fernandez who has been built up in "Murder 2" as the next Mallika Sherawat is nothing like the overrated Mallika….Thank God for that! Fernandez exudes an unbridled sunniness even when pouting in the bare minimum. Alas, she doesn't have much to do in "Murder 2" except swathe the dark drama in a spot of sunshine.

God knows this film about the devil-unleashed, surprisingly written by a woman (Shagufta Rafique) needs that little of sunshine. It is a desperately dark film. The characters are wretchedly unhappy. No matter which side of the moral line they are positioned they are standing screaming into the abyss that is suburban life. These people need serious help.
This then, is the world Mahesh Bhatt has bequeathed to us. Take it and bleed it.

Director Mohit Suri who earlier took us on a jolting trip through the world of prostitution, pimps and desperate cops in "Kalyug" takes the same route again. On this occasion the journey is far more ruthless and rigorously implemented to create horror repugnance and hatred for a word that we've created for coming generations.

In the typical Mahesh Bhatt style "Murder 2" doesn't waste time in back-projections and story build-up. He goes straight for the kill. With trenchant immediacy director Mohit Suri (back in "Kalyug" form after the misfire that was his last film "Crook") tells us the story of a psychopathic killer who kills prostitutes with the pleasure that makes your stomach churn and look anxiously towards the future about your daughter who is just stepping into the big wide world.
Who knows if the man sitting next to her in the movie theatre is a closet-nutcase with a collection of hacksaws in his house, and not to carve up the Christmas turkey.

Prashant Narayanan as the psychopath plays the character at such an even pitch he makes your blood freeze in fear and revulsion. Here's a man who could be that ghoul who butchered all those kids in the Nethra killings and then ate them up without a burp.

The 'hero' in "Murder 2" is a burn-out suspended cop who makes money out of criminals, stays sullen and haunted throughout the film except when he goes for the kiss, and offers his girlfriend a wad of notes after making love. To buy the fridge, he says. Naturally the lady freezes.
Force of habit, we say. Hashmi has done this kind of a role repeatedly. The kissing and vigorous bedroom activities are quickly taken care of in the first 15 minutes. Wouldn't want the lovers of the serial kisser to feel they're being cheated in favour of the serial killer.

The wacked-out killer in "Murder 2" doesn't eat his victims. He just cuts them down to sighs…and groans and shrieks of pain and records their dying voices to get his rockers off….
The plot seems original. The narration is clenched and the characters driven by a desperate urge to assert themselves before death rings their doorbell.

The savagery with which the college-going call girl (Sulagna Panigrahi) is brought to her gruesome death becomes a metaphor for the loss of innocence and the triumph of diabolism that is often garbed in designer labels these days.

"Murder 2" is not a pleasant film to view. The psychopath's killings are done in graphic detail. The storytelling offers no respite from the brutality. Most of the time we are looking at happenings that we would rather not see. But see, we must.

"Murder 2" is a mirror of our amoral venomous times when no relationship is sacred anymore. Mohit Suri remains in command of the murky material and traumatized characters. While most episodes hold together in a riveting rhythm of life's most unsavoury truths, the sequences featuring Prashant Naraynan work better than the rest of the film. He lends the proceedings a credibility that is unsettling.

JOGAR!

Bbuddah Hoga Tera Baap (2011) Review

Amithab Bachan :

He is the baap of all heroes. True meaning for a hero from decades. Basically this film is made to introduce what Big B is all about. This Guy(yes i said guy) still had the same punch n power. His screen presence is damn good as usual, and its his show all the way.

Rest all cast did got fair portions. Charmee is as cute as teddy,sonu sood i good,Subba raju is hillarious,Praksha raj pumped it up greatly in the climax. Hema malini is gorgeous,raveena tondon is neat.Sonam chauhan is cute.

Music : 

 By Vishal0Sekhar is good,numbers are peppy.Background score by our very own Anup Rubens is great,sure this guy gonna make
it in bollywood too.

Story-Screenplay-Direction :  

Puri did followed the same mantra in bollywood which he is chanting here in tollywood, for over a decade now. Its big B who is the right choice for his characterization than anyone. Puri had the same character building,right from dialogs to scenes to camera angles you will recall his past movies in telugu.So we dont feel anything fresh,its a beaten to death track again,but in hindi it would be fresh, and he introduced his style of making with none other than big B. So for sure he can count his coins in bollywood.If he worked on something, its climax episode.Good work done.

Final Analysis::

Overall ga watch it, you wont regret. 

Big B mark entertainer with puri touch. 

2 hours of entertaining journey.

but before entering the theater 0 your expecations

,you can enjoy it even better.

JOGAR!

Lafangey Parindey (2010): Movie Review

    

Sometimes, your reputation precedes you. Pradeep Sarkar carries the reputation of making women-centric movies. Films like PARINEETA and LAAGA CHUNARI MEIN DAAG prove it. Who would’ve ever thought Sarkar would do a 360 degree turn in his third film by calling it LAFANGEY PARINDEY, set it in a chawl and make his characters speak tapori lingo? Hard to digest, isn’t it? Frankly, the skilled storyteller takes you on a trip least expected from him.

When you attempt something you haven’t attempted earlier or ventured into before, you either fall flat on your face or walk with your chin up in air. Sarkar doesn’t slip, although LAFANGEY PARINDEY does have its share of hiccups that show up intermittently. Unlike PARINEETA and LAAGA CHUNARI MEIN DAAG, Sarkar narrates a simple story this time around and though it has nothing to do with the Rajesh Khanna – Mumtaz – Meena Kumari starrer DUSHMUN, you can’t help but draw parallels with it, which, frankly, could be a coincidence as well. Yet, to be fair to Sarkar, he ventures in an unknown territory like a seasoned player.
On the flipside, the film has a major flaw and that dilutes the impact to an extent: Casting Neil Nitin Mukesh as a tapori. He just doesn’t look like one. Even if he tries very hard to get into the skin of the character, you just can’t connect with him since the suave and dashing demeanor makes him look like a Harvard returned, not someone from the streets or wadis of Mumbai definitely.
Final word? Sure, it has its share of shortcomings, but is an engaging watch nonethess.

LAFANGEY PARINDEY is about a group of youngsters living in the backstreets of Mumbai. It is the love story of Nandu [Neil Nitin Mukesh] and Pinky [Deepika Padukone].
One-Shot Nandu takes boxing to a new level by knocking down his opponents – blindfolded. Needless to say, One-Shot lives life on his own terms and is a local hero amongst his friends. But all that changes when he meets Pinky.

Pinky works at a mall, but is a kickass dancer on skates. Strong-headed, talented and fiercely ambitious, she aspires to rise above all the ‘losers’ living in her locality and carve a niche for herself. Two different personalities. Two different lives. Destined to meet.

LAFANGEY PARINDEY starts with gusto! Also, it moves on a singular path, without diversifying into unwanted sub-plots and superfluous characters. In fact, the story takes off at the commencement of the film itself and how Neil and Deepika’s lives get intertwined makes for interesting viewing.

The film has some truly engaging moments and most of them are in its first hour. Sequences between Neil and Deepika after the accident are wonderful and keep you hooked. However, things begin to slacken in the post-interval portions, when the love story takes over and Neil and Deepika realize that they share a deeper bond. Just when things are about to go downhill, the climax happens and LAFANGEY PARINDEY is back on track. In fact, the drama in the finale – when Deepika and Neil have to perform the final act for a television show – is the highpoint of this film. The skating sequences and choreography are stunning and awe-inspiring.
Blemishes? Oh yes! The love story is conventional and dreary. Also, the investigating officer’s track is half-baked and looks like an add-on. Besides, the film is embellished with a mediocre musical score [R. Anandh]. Also, the Bambaiya Hindi has its limitations.

Like I pointed out earlier, Neil is the wrong choice for this part. Also, he lacks the fire to carry off the role with flourish. LAFANGEY PARINDEY clearly belongs to Deepika Padukone, who suits the character and enacts it with such competence that it leaves you amazed. The pretty lass is only getting better with every film. Piyush Mishra is first-rate. Kay Kay Menon is okay in a brief role. The friends, each them, leave a mark. Especially Namit Das, who’s wonderful. Shiamak Davar, Juhi Chawla and Javed Jafferi feature in brief roles.
On the whole, LAFANGEY PARINDEY may be predictable, but is engaging and entertaining nonetheless. A decent watch!
Ratings: (3/5)

JOGAR!

Once Upon a Time in Mumbai review

Movie Review: Once Upon A Time In Mumbai; Star cast: Ajay Devgan, Emraan Hashmi, Kangana Ranaut, Prachi Desai and Randeep Hooda; Director: Milan Luthria; Rating: ***1/2 – Amongst Bollywood’s best underworld sagas.
You seldom get period dramas in Bollywood which are not about historical characters. This year that way has been very lucky that way. Couple of months ago we had Badmaash Company and now we have Once Upon a Time in Mumbaai. Of course both are completely different from each other, the first being set in the fast 90s and the latter being set in colourful 70s. And director Milan Luthria makes enough efforts to make OUATIM look very authentic and worth a watch for its settings.
Settings apart the film has its pluses with some superb performances and great dialogues. However the problem with the film is the not so new storyline and the very slow screenplay. Though the characters are well established and well rounded the writer takes the entire first half to do that without much movement in the story. And then as you expect fireworks in the second half it fizzles out too fast.
OUATIM is the story of two gangsters. While one was ethical the other was reckless. It has inspirations of the characters of infamous smuggler Haji Mastan and now infamous don Dawood Ibrahim. The film is about Sultan (Ajay Devgn) who labored through his childhood and became a smuggler as he grew up completely ruling the sea routes. He however always preferred keeping the city clean and never smuggles which was against his conscience. Shoaib (Emraan Hashmi) is inspired by Sultan’s life as a child and wants to it as big. He is a son of a police officer but has no inclination towards the law. As he grows up he makes his way to Sultan’s gang and proves himself good enough to go up the ladder fast. However his reckless ambitions soon outgrew Sultan and he decided to take over the city on his own.
The story is built on the line – ‘behind the myth is the city’s greatest betrayal story’. The screenplay does not give much importance to the betrayal. The slow pace of the first half could be a put off. Also funnily Sultan and his girlfriend Rehana never seem to age as they continue to look the same even as Shoaib grows from a child to rustic young crook.
The film has its pluses. Luthria has taken care of everything – right from trains to cars to sunglasses to shoes to buildings! Everything takes us back to the 70s. Luthria handles the dramatic moments well and great use has been made of dialoguebaazi. All actors have come up with some memorable performances. Ajay Devgn’s overpowering presence is matched by Emraan’s charm. Kangna Ranaut and Prachi Desai do their bits well though they don’t bear many consequences on the story itself. Randeep Hooda is effective as the police office.
Overall, ‘Once Upon a Time in Mumbaai’ is an entertainer. It does not need any effort to be understood of liked. It is the mere magic of characters created that makes this film worth watching.

JOGAR!

Khatta Meetha Movie Review

Movie Review: Khatta Meetha; Star cast: Akshay Kumar, introducing Trisha, Urvashi Sharma, Rajpal Yadav, Asrani, Milind Gunaji and Manoj Joshi; Director: Priyadarshan; Rating: *1/2 – Avoid this bitter pill.
Satire is a genre rarely touched by Bollywood mainstream filmmakers, so when a big star like Akshay Kumar decides to co-produce one with a director like Priyadarshan with whom he has never delivered a flop, naturally expectations run high. But what one gets at the end of the day is a migraine inducer. Remake of Malayalam film Vellanakalude Nadu (1988) starring Mohanlal, Khatta Meetha neither entertains nor offers anything new.
Sachin Tichkule (Akshay) is a road contractor who is forever cash strapped and in a mess after he attempts to go corrupt. His extended family consisting of a brother (Paritosh) and two brothers-in-law (Milind Gunaji and Manoj Joshi) all staying together under one roof are neck deep in corruption where PWD contracts are involved. Sachin is often ridiculed by them for being a blot to their family since he is not able to contribute anything to the family but only creating more problems paining his retired judge father (Kulbhushan Kharbanda). Problems multiply for Sachin as his ex-flame Gehna Ganpule (Trisha) comes as the new Muncipal Commissioner.
First things first, if you are expecting Khatta Meetha to be a rip roaring comic affair, then let us warn you, the only genuinely comic moments of the film are all what you see in the promos. The entire film is a messed up affair with a non-existent plot joined together with some truly inane sequences. In fact, the setting also reminds one of Priyadarshan’s assistant Rajeev Kumar directed flop comedy Chal Chala Chal starring Govinda. Making it worse is the long running time of over 2 hours and 40 minutes. Priyadarshan tries to pack in too many things and fails on all accounts. He stretches his comic sequences very long, resulting in spoiling a good joke. The bridge and road contractors – Muncipal body officials and politicians nexus shown doesn’t really expose anything new and the contrived manner in which it all culminates makes you pull out your hair in irritation. What works to some extent is the authentic small town setting and a few one liners.
Akshay Kumar is the only good thing about this chaotic enterprise. Be it sarcastic humour or performing the most implausible comic sequences he performs them all with full conviction. Trisha (in a dubbed voice) makes an average debut but the blame goes to makers for casting her in a role of a Muncipal Commissioner. She appears too young for it. Urvashi Sharma is good. Aruna Irani playing Akki’s mom is wasted. Kulbhushan Kharbanda has his good moments. Usual suspects of any Priyadarshan film – Manoj Joshi, Asrani, Rajpal Yadav with addition of Johhny Lever continue to assault your senses with their high decibel dialogue delivery in the name of comedy.
Pritam delivers with a few good songs but with each song badly placed, half their fun is lost. Camerawork by V. Manikandan is good capturing the interiors of Maharashtra well.
Khatta Meetha fails to deliver what it promises. It is neither a political satire nor a good family drama. The film is better being avoided.

JOGAR!

Aisha Movie Review

Movie Review: Aisha; Cast: Sonam Kapoor, Abhay Deol, Amrita Puri, Lisa Haydon, Ira Dubey, Cyrus Sahukar and Arunoday Singh; Director: Rajshree Ojha; Rating: **1/2 – A competent effort.
Aisha is based on Jane Austin’s popular novel Emma. Western filmmakers have attempted the big screen versions of Emma before and Rajshree Ojha has come up with a competent if not a fabulous Indianised version of the same with Aisha.
The film narrates the tale of Aisha (Sonam Kapoor) who believes in match-making as a hobby and follows it passionately. When she is done with match making of her aunt, Aisha takes a new entrant to her world as her next project. The girl is Shefali (Amrita Puri) and is from a smaller town and just reached Delhi to find herself a suitor. Aisha goes about changing the small town girl into someone more like her and then tries setting her up with a childhood friend Randhir (Cyrus Sahukar). Randhir loves Aisha and not Shefali and when Aisha gets to know this, blanks him out of her life. Aisha’s best friend Pinky Bose (Ira Dubey) finds a mate in Randhir and walks out on Aisha. In the meantime Aisha moves on to set Shefali up with another guy. All this while her childhood friend Arjun (Abhay Deol) tries to tell her that she is just making things worse for Shefali. By the time Aisha realizes things, it is quite late.
The problem with Aisha is that it is supposed to be a romantic comedy but it does not draw any emotions from the audience. The story stays superficial and there are no scenes – even the climax scene when Aisha knows she is in love – that are interesting enough. Also the scenes which act as a catalyst to the change in Aisha’s outlook are completely mistimed and not built well. Clearly the issue is with the screenplay. The dialogues are good though.
Technically the film is shot well and makes Delhi looks good. The costumes are a high point of the film and it will manage to set quite a few fashion trends. The music is good too.
On a scale of performances Sonam scores decent. Abhay Deol does his job well, though we wish we could have seen more of him. Ira Dubey, Arunoday Singh and Lisa Haydon are efficient. The real scene stealer though is Amrita Puri. She will bring a smile on your faces every time she comes on screen.
However despite numerous pluses, the minuses bough Aisha down in regular intervals and the two hour running time also appears tedious! So take your call, if you want to watch a light breezy entertainer that doesn’t really appeal to your heart but is beautiful to watch, go for Aisha.

Download Aisha Mp3 Songs

JOGAR!